An Inside View on How to Tackle Writer’s Block

5 09 2018

                                                                                         PHOTO: screencraft,org

BEN MARCUS: WRITER’S BLOCK HAPPENS WHEN I’M BORING

THE AUTHOR OF NOTES FROM THE FOG ON CRAFT, JOY WILLIAMS, AND MORE

How do you tackle writer’s block?
Writer’s block, if that’s the name for it, happens when I am boring, when my mind is flat, when I have nothing to add to what has been said and done. Therefore it happens nearly all of the time. It happens when writing is an obligation and not a desire. And I really don’t mind. It’s not clear that I am meant to pump out writing at all costs. The opposite is true. The world will be just fine without anything I might write. Writing is not exactly a scarce resource. There is far too much out there that hasn’t been read enough. So I don’t try to solve this silence. To me it is necessary.

It is exhausting to be obsessed and driven and full of some pressing need to write—and it doesn’t happen very often. I also don’t write so sharply if I don’t care about what I’m doing, and caring is hard to fake. So, to me, writer’s block is a sign that I probably ultimately don’t give enough of a shit. This is my own flaw. I should care about more than I do. Or what I care about doesn’t fit so obviously inside the boundaries of what I consider fiction. Part of the beginning of any project is the discovery of what matters to me, followed by an attempt to conceive of it in terms of fiction. That’s what it is to start a project: engineering a set of delusions that the act of writing has consequence and simply must be done. When I’ve finished, it’s hard to believe that I ever could have cared so much, but I did, for a little while, and then it’s time to hunt down something new to care about and to hope that I have the ability to make it exist in fiction.

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