Out Now! Bookish Plaza eZine DECEMBER Issue

28 11 2018

                                                                                                     Image: Bookish Plaza

The DECEMBER issue of BookIsh Plaza eZine is out now!
BookIsh Plaza is your online bookshop for (Dutch)Caribbean literature.

In this issue:

  • Celebrating 40th Anniversary of Writing & Performing
  • Book Launch ‘WEES GELUKKIG’ by Irma Grovell
  • The Formation of Caribbean Identity in Literature
  • And more ………

BOOKISH PLAZA eZINE nr.78 DECEMBER 2018

Fine reading to all our readers. The next ezine will be out in January 2019.

Visit BookIsh Plaza for our New Arrivals!





Out Now! Bookish Plaza eZine NOVEMBER Issue

1 11 2018

                                                                                                   Image: BookIsh Plaza

The NOVEMBER issue of BookIsh Plaza eZine is out now!
BookIsh Plaza is your online bookshop for (Dutch)Caribbean literature.

In this issue:

  • Alternative Nobel Prize goes to Caribbean writer
  • Writing the Storms of the Caribbean
  • Writers & their Books for the St. Martin Day
  • And much more ……….

BOOKISH PLAZA eZINE nr.77 NOVEMBER 2018

Fine reading to all our readers. The next ezine will be out in December with a special festivities issue.

Visit BookIsh Plaza for our New Arrivals!





Is imagination necessary to read?

1 11 2018

                                                                                                           PHOTO: Camistok

CAN IMAGINATION GET IN THE WAY OF READING?

Some time ago, I was confronted with a major aspect of reading, something we aren’t conscious of. A friend of mine – a non-reader, by the way – explained to me how he could never get interested in reading. Simply because he had the worst difficulty ever: in his mind, he couldn’t imagine the universe, the characters’ physical qualities or any room that was being described in a book. Therefore, he eventually just gave up picking up books.

This intrigued me. So I started thinking about it. I’ve read books since I can remember, so I can say that my imagination is “well-exercised,” right? As readers, what can we say about these non-readers and the people who choose watching TV over reading? We say they choose to do so because they’re lazy – they refuse to use their imagination because “it’s so hard.” And that’s what popped into my head when I heard my friend complaining about this. But then, something stopped me.

Read further @ BookRiot





Drink tea and get into the flow of writing

1 11 2018

                                                                                                      Photo: Stocksy

Put the kettle on: does a cuppa

beat writer’s block?

Research suggestions that drinking tea might help creativity have received endorsement from a number of successful novelists.

Being British, we have all seized on a report about how drinking tea improves creativity. The researchers – led by Yan Huang, from the Psychological and Cognitive Sciences Department of Peking University – recruited 50 students, who were assigned to two groups and given either tea or water to drink. The students were then given tests, the first being to build an “attractive” design with toy blocks, the second to come up with a “cool and attractive” name for a new ramen noodle restaurant. (“An example of a name that received a low innovativeness score is Ramen Family, and an example of a name that received a high score is No Ramen Here.”)

Those who drank tea performed better in both – and so the humble beverage has been hailed as a means to combat writers’ block by the Telegraph. The researchers don’t go that far – and indeed, the creativity of the participants is called somewhat into question by the detail that the academics had to delete more than 200 suggested restaurant names for containing only the word Ramen, or for including location names. Perhaps it was down to the kind of tea they gave them: it was black, and Lipton (the horror).

Read further @ The Guardian





Out Now! Bookish Plaza eZine OCTOBER Issue

1 10 2018

The OCTOBER issue of BookIsh Plaza eZine is out now!
BookIsh Plaza is your online bookshop for (Dutch)Caribbean literature.

In this issue:

  • New Edition of a Masterpiece
  • Black Writer’s You Should Read
  • Caribbean Children’s Books for the Friendship Book Week
  • Book on a Coffee Exporting Country
  • And much more ……….

BOOKISH PLAZA eZINE nr.76 OCTOBER 2018

Fine reading to all our readers. The next ezine will be out in October.

Visit BookIsh Plaza for our New Arrivals!





Out now! BookIsh Plaza eZine SEPTEMBER issue

5 09 2018

                                                                                  PHOTO: blackachievementmonth.nl

The SEPTEMBER issue of BookIsh Plaza eZine is out now!
BookIsh Plaza is your online bookshop for (Dutch)Caribbean literature.

In this issue:

  • September is Black Achievement Month
  • Unwritten: Caribbean Poems after the First World War
  • Winner 2018 OPZIJ Literary Prize
  • Ode to Trinidanian Author V.S. Naipaul
  • And much more ……….

BOOKISH PLAZA eZINE nr.75 SEPTEMBER 2018

Fine reading to all our readers. The next ezine will be out in October.

Visit BookIsh Plaza for our New Arrivals!





Time to Read?

5 09 2018


PHOTO: artsci.wustl.edu

HAVE WE EVER HAD ENOUGH TIME TO READ?
FOR WOMEN OF THE 18TH CENTURY, THE ANSWER IS A RESOUNDING “NO”

Literary history can seem full of women frustrated with their lack of time for reading. Florence Nightingale rails in Cassandra (1852) against the way women are constantly interrupted and never protected in their study, complaining that “there is no time appointed for this purpose and the difficulty is that, in our social life, we must always be doubtful whether we ought not to be with somebody else or be doing something else.” Virginia Woolf makes this frustration into the beautiful manifesto, A Room of One’s Own (1929). Few, however, seem quite as angry about their lack of time as Catherine Talbot. She rages in her unpublished journals about not having enough time, she muses on her lack of time in her published pieces of writing, and she makes time a constant theme of her letters to Elizabeth Carter.

As friends, Talbot and Carter had much in common. Neither married, both belonged loosely to what we now think of as the Bluestocking Circle, both knew Samuel Richardson and Samuel Johnson, and both were nourished to different degrees by their Christian faith. But Talbot’s situation was particular because she grew up under the protection of her father’s friend, the Bishop Secker, and was obliged to him for including her in his busy, affluent, and often very public household. The intensity of this situation comes out at one point when Talbot erupts in fury at Carter’s failure to understand that her business is of a special degree: “You suppose that when I complained of wanting leisure I had several hours. You forget that you rise three hours earlier than I am allowed to do; that we visit 18 families at from three to 14 miles distant, and 20 I believe in Oxford, and are besides eternal riders, walkers, and airers. That I have many correspondents, and cannot for my life write short letters. And with all that crowded together, at first I had scarce one hour.”

Read further @ Literary Hub





Out now! BookIsh Plaza eZine JUNE issue

30 05 2018

Jamaican poet Safiya Sinclair @ 2018 Poetry International, Rotterdam

The JUNE issue of BookIsh Plaza eZine is out now!
BookIsh Plaza is your online bookshop for (Dutch)Caribbean literature.

In this issue:

  • Summer Creative Writing in Curaçao
  • St. Martin Book Fair in June
  • In the Picture: St. Martin Books
  • And much more ……….

Read & share the eZine. The next issue will appear in June.

BOOKISH PLAZA eZINE nr.73 JUNE 2018

Visit BookIsh Plaza for our New Arrivals!

 





Writing Advice from a Great Writer

30 05 2018

ESSENTIAL WRITING ADVICE FROM
VIRGINIA WOOLF

“FOR HEAVEN’S SAKE, PUBLISH NOTHING BEFORE YOU ARE THIRTY.”

Who wouldn’t love to write like Virginia Woolf? (Well, some people, probably, but I’d wager not many of them are looking at this page.) Woolf was a once-in-a-generation mind, and as both a writer and publisher, she had strong opinions about what made a piece of literature great (or, more often, mediocre). Luckily for us, she wrote many of her ideas down, in some of the many essays and letters she penned over the course of her life. Below, I’ve collected a few of Woolf’s thoughts on craft and the art of the novel, as well as inspiring advice for aspiring writers and established writers alike. She is not quite as pithy as others when it comes to doling out advice—but I think her advice is all the better for it.

To write a novel, begin with character:

I believe that all novels begin with an old lady in the corner opposite. I believe that all novels, that is to say, deal with character, and that it is to express character—not to preach doctrines, sing songs, or celebrate the glories of the British Empire—that the form of the novel, so clumsy, verbose, and undramatic, so rich, elastic, and alive, has been evolved. —from the essay “Mr. Bennet and Mrs. Brown,” 1924.

Read further @ Literary Hub





Out now! BookIsh Plaza eZine MAY issue

3 05 2018

The MAY issue of BookIsh Plaza eZine is out now!
BookIsh Plaza is your online bookshop for (Dutch)Caribbean literature.

In this issue:

  • Rahim wins 2018 OCM Bocas Prize
  • Unique Online Magazine for New Caribbean Writing
  • Book Tips for Mother’s Day
  • And much more ……….

Read & share the eZine. The next issue will appear in June.

BOOKISH PLAZA eZINE nr.72 MAY 2018

Visit BookIsh Plaza for our New Arrivals!





Out Now! BookIsh Plaza eZine APRIL Issue

13 04 2018

The APRIL issue of BookIsh Plaza eZine is out now!
BookIsh Plaza is your online bookshop for (Dutch)Caribbean literature.

In this issue:

  • Upcoming Book on ABRAHAM
  • TIP: Cuban Classic & Jazz Concert, May 6, Den haag
  • Dutch Caribbean in the Second World War
  • And much more ……….

Read & share the eZine. The next issue will appear in May.

BOOKISH PLAZA eZINE nr.71 APRIL 2018

Visit BookIsh Plaza for our New Arrivals!





On the Art of Flash Fiction

13 04 2018

ON THE VERY CONTEMPORARY ART OF FLASH FICTION

Lord Chesterfield called the novel “a kind of abbreviation of a Romance.” Ian McEwan described the more compact novella as “the beautiful daughter of a rambling, bloated, ill-shaven giant.” William Trevor considered the short story “essential art.” Writing a story, he said, is infinitely harder than writing a novel, “but it’s infinitely more worthwhile.” And now we have the even shorter story, a form that was validated, if it needed to be, when Lydia Davis, whose stories are sometimes a sentence long, was awarded the 2013 Man Booker International Prize. In their citation, the judges said of Davis’s works: “Just how to categorize them? They have been called stories but could equally be miniatures, anecdotes, essays, jokes, parables, fables, texts, aphorisms or even apothegms, prayers or simply observations.”

The short-short story is narrative (or it’s not) that is distilled and refined, concentrated, layered, coherent, textured, stimulating, and resonant, and it may prove to be the ideal form of fiction for the 21st century, an age of shrinking attention spans and busy and distracted lives, in which our mobile devices connect us to the world as they simultaneously divert us from it. And on the screens of our smartphones and our iPads and our laptops, we can fit an entire work of flash fiction. It’s short but not shallow; it’s a reduced form used to represent a larger, more complex story; it’s pithy and cogent, brief and pointed, and like the gist of a recollected conversation, it offers the essential truth, if not all the inessential facts.

The market for flash fiction is extensive and it’s growing. A Google search for flash fiction markets nets 719,000 hits in .55 seconds. Duotrope lists 4,700 publications looking for flash fiction, and a few of those outlets publish 365 stories a year. Your chances of finding a home for your short-short story are considerably better than they are for your novel. What better way to break into the world of publishing, to get your name out there, to earn the endorsement of editors, to introduce your beloved characters to an appreciable number of readers? If your dream is to write a novel, consider that flash fiction might be your first small step. I learned to write novels by writing short stories and learned to write short stories by writing very short stories before they had a snappy name.

While flash fiction may be quickly read, it is not often quickly written. Henry David Thoreau wrote, “Not that the story need be long, but it will take a long while to make it short.” To be brief takes time. But the obvious fact is that it does take less time to write a short-short story than it does the longer forms. It might take years to write a novel (it does for me), months to write a story, but only weeks, maybe days, if you’re lucky, to write a very short story. And an occasional morsel of sweet short-term gratification won’t make you sick. Promise! With the end so close in sight, you are emboldened, and you learn to finish. If you don’t finish, you can’t revise, and if you don’t revise, you won’t learn to write.

Read further @ LitHub





The greatest revelation in the Spanish language

13 04 2018

100 COVERS OF GABRIEL GARCÍA MÁRQUEZ’S ONE HUNDRED YEARS OF SOLITUDE

Pablo Neruda once called Gabriel García Márquez’s 1967 novel One Hundred Years of Solitude “perhaps the greatest revelation in the Spanish language since the Don Quixote of Cervantes.” Now a beloved classic for millions, and the defining pinnacle of magical realist literature, the novel traces the Buendía family over seven generations spent in their fictional hometown of Macondo—founded in the Colombian rainforest by their patriarch, José Arcadio Buendía—which is reportedly based on Márquez’s own hometown of Aracataca, near the northern coast of Colombia. For a while it is a kind of utopia, though a strange one, but eventually, the encroachment of the outside world destroys everything the Buendías have built. This is a lush, descriptive, and relentlessly irreal novel, and as such, its cover treatments have varied wildly over the years. Below, I’ve selected one hundred different covers used for One Hundred Years of Solitude, published around the world between 1967 and 2018. The only question is: which one is the best?

Read further @ LitHub





Tips to your booktime reading

13 04 2018

5 TIPS FOR CALM, COZY, COMFORTING BEDTIME READING

1. KEEP IT SHORT
2. KEEP IT LIGHT
3. HAPPY ENDINGS ONLY
4. MAKE IT A PAGE-TURNER…BUT
NOT TOO MUCH OF ONE
5. KEEP IT FAMILIAR

Read further @ BookRiot





Get Students to Read

1 03 2018

HOW TO GET STUDENTS TO READ MORE

For as long as there have been books people have worried that the death of reading was imminent. We hear it all the timeteens don’t read anymore! But during my eleven years of teaching, I have encountered students who read with more discipline than many of the adults in their lives. I often see students carrying the latest Lamar Giles or A.S. King novel, reading at lunch, and joining our school library’s book club. So why do English teachers and school officials worry about getting students to read more?

1.Encourage students to download the serial reader app and use it for twenty minutes a day

2.Provide students time during class to read

3.Leave off at a cliffhanger

4.Tell them how controversial it is

Read further @ BookRiot

 





Classic of the Dutch Caribbean Literature Reprinted

6 02 2018

DE ROTS DER STRUIKELING [Life’s Obstacles, ed.] is a classic from the Dutch Caribbean literature. The novel tells the story of Eddy Lejeune, who reflects on his turbulent life.

Eddy Lejeune comes in search for diamonds in Venezuela mysteriously to his end. The story is told in a journalistic manner and begins at the end of his life. Before that, his high school years are described, his growing up in a foster home, the war that overtakes him as a student, the war camp. Particularly his war experiences prove to be a major influence on his thinking.

For this book Boeli van Leeuwen from Curaçao was rewarded the Vijverberg Prize (the present Bordewijk Prize) in Holland. In 1983 he received the Cola Debrot prize, the most important Antillian cultural distinction, for his literary work.

For more news read it in our new BOOKISH PLAZA eZINE nr.69 FEBRUARY 2018 edition.
Just out now!

Visit BookIsh Plaza for our New Arrivals!





How to gain a Bookish New Year

13 01 2018


1. Preorder one book per month (or every other month or every third month) for the new year. Enjoy the surprise of the gift you purchased for yourself when it arrives.

2. Pick a series of books from childhood you’ve always meant to read or want to revisit. Prioritize that reading experience.

3. Buy or make a new bookmark. You can also print yourself a new one, if you’d like.

4. Choose a new planner and set it up with not just your calendar, but also a to-be-read list and a read list. Get creative!

5. Treat yourself to a new tote bag for lugging your hauls to and from the public library.

Read further @ BookRiot