Out now! BookIsh Plaza eZine MAY issue

3 05 2018

The MAY issue of BookIsh Plaza eZine is out now!
BookIsh Plaza is your online bookshop for (Dutch)Caribbean literature.

In this issue:

  • Rahim wins 2018 OCM Bocas Prize
  • Unique Online Magazine for New Caribbean Writing
  • Book Tips for Mother’s Day
  • And much more ……….

Read & share the eZine. The next issue will appear in June.

BOOKISH PLAZA eZINE nr.72 MAY 2018

Visit BookIsh Plaza for our New Arrivals!

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Out Now! BookIsh Plaza eZine APRIL Issue

13 04 2018

The APRIL issue of BookIsh Plaza eZine is out now!
BookIsh Plaza is your online bookshop for (Dutch)Caribbean literature.

In this issue:

  • Upcoming Book on ABRAHAM
  • TIP: Cuban Classic & Jazz Concert, May 6, Den haag
  • Dutch Caribbean in the Second World War
  • And much more ……….

Read & share the eZine. The next issue will appear in May.

BOOKISH PLAZA eZINE nr.71 APRIL 2018

Visit BookIsh Plaza for our New Arrivals!





On the Art of Flash Fiction

13 04 2018

ON THE VERY CONTEMPORARY ART OF FLASH FICTION

Lord Chesterfield called the novel “a kind of abbreviation of a Romance.” Ian McEwan described the more compact novella as “the beautiful daughter of a rambling, bloated, ill-shaven giant.” William Trevor considered the short story “essential art.” Writing a story, he said, is infinitely harder than writing a novel, “but it’s infinitely more worthwhile.” And now we have the even shorter story, a form that was validated, if it needed to be, when Lydia Davis, whose stories are sometimes a sentence long, was awarded the 2013 Man Booker International Prize. In their citation, the judges said of Davis’s works: “Just how to categorize them? They have been called stories but could equally be miniatures, anecdotes, essays, jokes, parables, fables, texts, aphorisms or even apothegms, prayers or simply observations.”

The short-short story is narrative (or it’s not) that is distilled and refined, concentrated, layered, coherent, textured, stimulating, and resonant, and it may prove to be the ideal form of fiction for the 21st century, an age of shrinking attention spans and busy and distracted lives, in which our mobile devices connect us to the world as they simultaneously divert us from it. And on the screens of our smartphones and our iPads and our laptops, we can fit an entire work of flash fiction. It’s short but not shallow; it’s a reduced form used to represent a larger, more complex story; it’s pithy and cogent, brief and pointed, and like the gist of a recollected conversation, it offers the essential truth, if not all the inessential facts.

The market for flash fiction is extensive and it’s growing. A Google search for flash fiction markets nets 719,000 hits in .55 seconds. Duotrope lists 4,700 publications looking for flash fiction, and a few of those outlets publish 365 stories a year. Your chances of finding a home for your short-short story are considerably better than they are for your novel. What better way to break into the world of publishing, to get your name out there, to earn the endorsement of editors, to introduce your beloved characters to an appreciable number of readers? If your dream is to write a novel, consider that flash fiction might be your first small step. I learned to write novels by writing short stories and learned to write short stories by writing very short stories before they had a snappy name.

While flash fiction may be quickly read, it is not often quickly written. Henry David Thoreau wrote, “Not that the story need be long, but it will take a long while to make it short.” To be brief takes time. But the obvious fact is that it does take less time to write a short-short story than it does the longer forms. It might take years to write a novel (it does for me), months to write a story, but only weeks, maybe days, if you’re lucky, to write a very short story. And an occasional morsel of sweet short-term gratification won’t make you sick. Promise! With the end so close in sight, you are emboldened, and you learn to finish. If you don’t finish, you can’t revise, and if you don’t revise, you won’t learn to write.

Read further @ LitHub





The greatest revelation in the Spanish language

13 04 2018

100 COVERS OF GABRIEL GARCÍA MÁRQUEZ’S ONE HUNDRED YEARS OF SOLITUDE

Pablo Neruda once called Gabriel García Márquez’s 1967 novel One Hundred Years of Solitude “perhaps the greatest revelation in the Spanish language since the Don Quixote of Cervantes.” Now a beloved classic for millions, and the defining pinnacle of magical realist literature, the novel traces the Buendía family over seven generations spent in their fictional hometown of Macondo—founded in the Colombian rainforest by their patriarch, José Arcadio Buendía—which is reportedly based on Márquez’s own hometown of Aracataca, near the northern coast of Colombia. For a while it is a kind of utopia, though a strange one, but eventually, the encroachment of the outside world destroys everything the Buendías have built. This is a lush, descriptive, and relentlessly irreal novel, and as such, its cover treatments have varied wildly over the years. Below, I’ve selected one hundred different covers used for One Hundred Years of Solitude, published around the world between 1967 and 2018. The only question is: which one is the best?

Read further @ LitHub





Tips to your booktime reading

13 04 2018

5 TIPS FOR CALM, COZY, COMFORTING BEDTIME READING

1. KEEP IT SHORT
2. KEEP IT LIGHT
3. HAPPY ENDINGS ONLY
4. MAKE IT A PAGE-TURNER…BUT
NOT TOO MUCH OF ONE
5. KEEP IT FAMILIAR

Read further @ BookRiot





Get Students to Read

1 03 2018

HOW TO GET STUDENTS TO READ MORE

For as long as there have been books people have worried that the death of reading was imminent. We hear it all the timeteens don’t read anymore! But during my eleven years of teaching, I have encountered students who read with more discipline than many of the adults in their lives. I often see students carrying the latest Lamar Giles or A.S. King novel, reading at lunch, and joining our school library’s book club. So why do English teachers and school officials worry about getting students to read more?

1.Encourage students to download the serial reader app and use it for twenty minutes a day

2.Provide students time during class to read

3.Leave off at a cliffhanger

4.Tell them how controversial it is

Read further @ BookRiot

 





Classic of the Dutch Caribbean Literature Reprinted

6 02 2018

DE ROTS DER STRUIKELING [Life’s Obstacles, ed.] is a classic from the Dutch Caribbean literature. The novel tells the story of Eddy Lejeune, who reflects on his turbulent life.

Eddy Lejeune comes in search for diamonds in Venezuela mysteriously to his end. The story is told in a journalistic manner and begins at the end of his life. Before that, his high school years are described, his growing up in a foster home, the war that overtakes him as a student, the war camp. Particularly his war experiences prove to be a major influence on his thinking.

For this book Boeli van Leeuwen from Curaçao was rewarded the Vijverberg Prize (the present Bordewijk Prize) in Holland. In 1983 he received the Cola Debrot prize, the most important Antillian cultural distinction, for his literary work.

For more news read it in our new BOOKISH PLAZA eZINE nr.69 FEBRUARY 2018 edition.
Just out now!

Visit BookIsh Plaza for our New Arrivals!