Drawing Stories

17 02 2017

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HOW TO DRAW A NOVEL

TRACING THE SHAPES OF THE STORIES WE TELL

Mexican writer Martin Solares likes to draw the shapes of novels—describe the plot, in a literal sense.  The following is the introductory chapter to How to Draw a Novel, a work-in-progress translation—in collaboration with poet Tanya Huntington—of his original Spanish title, Cómo Dibujar Una Novela, which will feature entirely new chapters. 

Some say novels are constellations composed of words; others, the closest we will ever come to a powerful incantation. From page one, they transport us to a world where every word conceals more than one intention and the very laws of physics operate differently. Baptized by their authors with suggestive, enigmatic names that sometimes constitute the first words of the spell being cast, novels are frequently baptized a second time by their readers, transforming them into something more endearing and familiar.

While we are compelled to choose a single bough from the tree of life, albeit a dazzling one, a well-constructed novel can lay claim to several branches at once: the most unexpected and passionate, the most unsettling and amusing. Then there are those that recount the greatest failures, the most ambitious exertions, or the feats that once seemed impossible to us.

Novels do not openly tell us how to live, but they do tell us stories. In difficult times, when one seeks to overcome life’s cares, the novel offers us a tale that seems to have been written expressly for the present time.

Read further @ Literary Hub

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